Contributors

I am indebted to the practitioners listed below, all of whom gave me some of their precious time for an interview. They have taught me so much about costume design and supervision: some things that I thought I understood, but of which, after talking to them, I realized I had previously only a surface understanding. Little did I know how much information there was to learn and then reflect on.

Milly Barter focused on costume supervision throughout her university course, working on Clare Boothe Luce’s The Women, Earthquakes in London and The Boyfriend. After university, Milly started her first job as a trainee for the ITV production Lewis, gaining a coveted Creative Skillset Traineeship that allowed her to become the trainee on the ...

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