July 2015
Beginner to intermediate
144 pages
5h 49m
English
Section One: Live that survives
1: Live concerts and fan identity in the age of the Internet
1.4 Live concerts and community
1.5 Live concerts and the individual
2: Aura, iteration, and action: digital technology and the jouissance of live music
2.1 The territory: arguments about the technological mediation of cultural production
2.2 The expedition: experiences of jouissance through live music
3: What’s my scene: festival fandom and the applification of the Big Day Out stage
Read now
Unlock full access