August 2013
Intermediate to advanced
65 pages
1h 30m
English
Tonal contrast is core to understanding how to work in black and white. Looking for and working with tonal contrasts as you shoot will help you immensely, even if you do a color translation of your color photo to black and white later. (Note: I will be using the term color translation throughout the book rather than the common term of color conversion. Color conversion implies the removal of color, whereas color translation makes you think about interpretation of how color changes to shades of gray.)
When you shoot your subject in black and white, can you find a tonal contrast that shows up in the LCD? Really subtle shades of gray may technically give a tonal “contrast,” but they will more often create a bland, ...
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