acknowledgments
This book would not be possible without the continuing support of my wife and occasional collaborator, Natalie Taylor Hart. She maintained endless patience as I performed all manner of science experiments in the dining room.
Like most props people, my knowledge has come from everyone I have worked with; I am just one more stop in the endless march of props expertise that has been passed on from generation to generation since the beginning of theatre. I do want to thank a few people who have helped me with specific technical knowledge while writing this book: Seán McArdle, Zach Murphy, Taylor Dankovich, and Sean Dane. I also want to acknowledge the combined knowledge of the members of the Society of Properties Artisan Managers ...
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