book

Apple Pro Training Series: Final Cut Pro X 10.1 Quick-Reference Guide

by Brendan Boykin

November 2014

Intermediate to advanced

120 pages

1h 59m

English

Peachpit Press

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Application PreferencesGeneralEditingPlaybackImportDestinationsCommand SetsAssign Keyboard Shortcuts
LibrariesBrowserTimelineViewerToolbarImport, Organize, and Edit FunctionsTool Pop-Up MenuDashboardEnhancements and BrowsersEnhancementsMedia BrowsersEffects BrowserPhotos BrowserMusic and Sound BrowserTransitions BrowserTitles BrowserGenerators BrowserThemes BrowserInspectorsVideoAudioInfoLibrary PropertiesShareTransitionTitleTextGeneratorsShare
Managing a LibraryMedia StorageCreate Proxy MediaReimport a ClipRelink a Clip
Import from a CameraCreate an Archive of Camera MediaImport Camera Source Media FilesImport from a VolumeMedia Import Options
KeywordsRatingsViewing and Sorting by MetadataLibraries and Browser Sorting OptionsSorting Browser List ViewUsing Smart CollectionsSetting MarkersApplying RolesEditing RolesAssigning RolesUsing the Timeline Index
Applying Append, Insert, Connect, and Overwrite EditsBacktiming an EditEdit Pop-Up MenuDrag-to-EditSelecting a RangePosition ToolCreating Gaps with the Position ToolDeleting a SelectionUsing the Trim ToolUsing Alternative Trim MethodsNudging with Select or PositionConnected StorylinesCompound Clips

ReplaceAuditionsSynchronized ClipsMulticam ClipsCreate a Multicam ClipAngle EditorAngle Viewer
In the ViewerTransform, Crop, and DistortKen BurnsIn the InspectorsIn the TimelineVideo Animation EditorRetime
Setting Clip Volume LevelsChanging Volume Over TimeRelative vs. Absolute AdjustmentsUsing Fade HandlesExpanding AudioDetaching AudioAudio StorylinesSubframe TrimmingAudio Enhancements
Color in the Video InspectorBalance ColorMatch ColorVideo ScopesColor Board
DestinationsXMLCompressor

Content preview from Apple Pro Training Series: Final Cut Pro X 10.1 Quick-Reference Guide

11. Share

Whether you are working on a one-off project for approval or publishing a final version, Final Cut Pro has simplified and automated the export process while still allowing manual control via Compressor.

Destinations

The Share pop-up menu contains the export presets, known as destinations, as defined in Destinations preferences (see Chapter 1). These presets determine how to export an active clip or Timeline. Choosing a preset opens a dialog where you can specify a few encoding options.