book

Autodesk 3ds Max 2016 Essentials

by Dariush Derakhshani, Randi L. Derakhshani

August 2015

Beginner

448 pages

10h 8m

English

Sybex

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Who Should Read This BookWhat Is Covered in This BookThe Essentials Series
Navigating the WorkspaceTransforming Objects Using GizmosGraphite Modeling Tools SetCommand PanelTime Slider and Track BarFile Management
Setting Up a Project WorkflowThe Secret to Accurate Modeling: Reference Material!Building a Simple ModelCreating Details Using SplinesLathing, Extruding, and Beveling to Create 3D from 2DBringing It All Together
Setting Up the SceneBuilding the RoomAdding Special Details to the Room
Modeling the CouchModeling the Lounge ChairBringing It All Together

Animating the BallReading Animation CurvesRefining the Animation
Anticipation and Momentum in Knife Throwing
Setting Up the SceneBlocking Out the Alien Model
Creating the Alien HeadBuilding the Alien HandBuilding the FootCompleting the Alien
Navigating the Slate Material EditorIdentifying the Standard MaterialIdentifying the mental ray MaterialIdentifying ShadersBuilding Materials for the CouchBuilding Materials for the Lounge ChairBuilding Materials for the Window
Defining UVs on the Alien's BodyUnwrapping UVs on the Alien's BodyBuilding and Applying Material to the Alien
Character Studio WorkflowAssociating a Biped with the Alien ModelSkinning the Alien Model
Animating the AlienFreeform AnimationModifying Animation in the Dope Sheet
Recognizing 3ds Max LightsLighting a Still LifeAtmospherics and EffectsThe Light Lister
Navigating the Render Setup DialogRendering a SceneWorking with CamerasRaytraced Reflections and RefractionsRendering the Interior and Furniture
Navigating the mental ray RendererNavigating the Final Gather ParametersNavigating mental ray MaterialsUsing Photometric Lights with mental rayUsing the Daylight System

Content preview from Autodesk 3ds Max 2016 Essentials

Chapter 8Character Modeling Part II

Realistic computer-generated (CG) characters are common in television and films; they appear as stunt doubles, as members of vast crowds, and as primary characters. Sometimes using a CG character works better than using a real person. Using a CG stunt double is safer and sometimes cheaper than using a live stunt person, and weird creatures can be created with better clarity by using CG rather than puppetry or special makeup effects.

In this chapter, you will continue with the model of the alien, focusing on using the Editable Poly toolset to create an alien model suitable for character animation and for use in a game engine.

In this chapter, you'll learn to