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Photographing San Francisco: Digital Field Guide

Name: Photographing San Francisco: Digital Field Guide
Author: Bruce Sawle
ISBN: 9780470586846

by Bruce Sawle

March 2010

Beginner to intermediate

288 pages

5h 22m

English

Wiley

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Copyright
About the Author
Credits
Acknowledgments
Introduction
1. Alcatraz
1.1. Why It's Worth a Photograph1.2. Where Can I Get the Best Shot?1.2.1. Hyde Street and Lombard Street1.2.2. St. Francis Yacht Club1.2.3. Treasure Island1.3. How Can I Get the Best Shot?1.3.1. Equipment1.3.1.1. Lenses1.3.1.2. Extras1.3.2. Camera settings1.3.3. Exposure1.3.3.1. Ideal time to shoot1.3.3.2. Working around the weather1.3.3.3. Getting creative
2. California Academy of Sciences
2.1. Why It's Worth a Photograph2.2. Where Can I Get the Best Shot?2.3. How Can I Get the Best Shot?2.3.1. Equipment2.3.1.1. Lenses2.3.1.2. Extras2.3.2. Camera settings2.3.3. Exposure2.3.3.1. Ideal time to shoot2.3.3.2. Working around the weather
3. California Palace of the Legion of Honor
3.1. Why It's Worth a Photograph3.2. Where Can I Get the Best Shot?3.2.1. Lincoln Park3.3. How Can I Get the Best Shot?3.3.1. Equipment3.3.1.2. Lenses3.3.1.2. Filters3.3.2. Camera settings3.3.3. Exposure3.3.3.1. Ideal time to shoot3.3.3.2. Working around the weather3.3.3.3. Getting creative
4. Chinatown
4.1. Why It's Worth a Photograph4.2. Where Can I Get the Best Shot?4.2.1. Grant Avenue and Bush Street4.2.2. Grant Avenue and Sacramento Street4.3. How Can I Get the Best Shot?4.3.1. Equipment4.3.2. Camera settings4.3.3. Exposure4.3.3.1. Ideal time to shoot4.3.3.2. Working around the weather
5. Coit Tower
5.1. Why It's Worth a Photograph5.2. Where Can I Get the Best Shot?5.2.1. Lombard Street5.2.2. Embarcadero Piers5.2.3. Fisherman's Wharf5.3. How Can I Get the Best Shot?5.3.1. Equipment5.3.1.1. Lenses5.3.1.2. Extras5.3.2. Camera settings5.3.3. Exposure5.3.3.1. Ideal time to shoot5.3.3.2. Working around the weather

6. Conservatory of Flowers
6.1. Why It's Worth a Photograph6.2. Where Can I Get the Best Shot?6.2.1. Inside the conservatory6.2.2. John F Kennedy Drive6.3. How Can I Get the Best Shot?6.3.1. Equipment6.3.1.1. Lenses6.3.1.2. Extras6.3.2. Camera settings6.3.3. Exposure6.3.3.1. Ideal time to shoot6.3.3.2. Working around the weather
7. Downtown
7.1. Why It's Worth a Photograph7.2. Where Can I Get the Best Shot?7.2.1. Market Street and Beale Street7.2.2. Sacramento Street and Battery Street7.2.3. Treasure Island7.2.4. Twin Peaks7.2.5. Randall Museum7.2.6. Golden Gate Bridge Vista Parking Lot7.3. How Can I Get the Best Shot?7.3.1. Equipment7.3.1.1. Lenses7.3.1.2. Filters7.3.1.3. Extras7.3.2. Camera settings7.3.3. Exposure7.3.3.1. Ideal time to shoot7.3.3.2. Working around the weather7.3.3.3. Low-light and night options
8. Dutch Windmill
8.1. Why It's Worth a Photograph8.2. Where Can I Get the Best Shot?8.3. How Can I Get the Best Shot?8.3.1. Equipment8.3.1.1. Lenses8.3.1.2. Extras8.3.2. Camera settings8.3.3. Exposure8.3.3.1. Ideal time to shoot8.3.3.2. Working around the weather
9. Embarcadero
9.1. Why It's Worth a Photograph9.2. Where Can I Get the Best Shot?9.2.1. Embarcadero Ferry Building9.2.2. Embarcadero between Mission Street and Howard Street9.3. How Can I Get the Best Shot?9.3.1. Equipment9.3.1.1. Lenses9.3.1.2. Extras9.3.2. Camera settings9.3.3. Exposure9.3.3.1. Ideal time to shoot9.3.3.2. Working around the weather
10. Fisherman's Wharf
10.1. Why It's Worth a Photograph10.2. Where Can I Get the Best Shot?10.2.1. Jefferson Street between Powell Street and Hyde Street10.3. How Can I Get the Best Shot?10.3.1. Equipment10.3.1.1. Lenses10.3.1.2. Extras10.3.2. Camera settings10.3.3. Exposure10.3.3.1. Ideal time to shoot10.3.3.2. Working around the weather
11. Golden Gate Bridge
11.1. Why It's Worth a Photograph11.2. Where Can I Get the Best Shot?11.2.1. Marin Headlands11.2.2. Baker Beach11.2.3. Crissy Field11.2.4. Fort Point11.2.5. North Vista Point11.2.6. Visitor Center11.2.7. Conzelman Road Headlands11.3. How Can I Get the Best Shot?11.3.1. Equipment11.3.1.1. Lenses11.3.1.2. Filters11.3.1.3. Extras11.3.2. Camera settings11.3.3. Exposure11.3.3.1. Ideal time to shoot11.3.3.2. Working around the weather11.3.3.3. Low-light and night options11.3.3.4. Getting creative
12. Grace Cathedral
12.1. Why It's Worth a Photograph12.2. Where Can I Get the Best Shot?12.2.1. California Street12.3. How Can I Get the Best Shot?12.3.1. Equipment12.3.1.1. Lenses12.3.1.2. Extras12.3.2. Camera settings12.3.3. Exposure12.3.3.1. Ideal time to shoot12.3.3.2. Working around the weather
13. Japanese Tea Garden
13.1. Why It's Worth a Photograph13.2. Where Can I Get the Best Shot?13.2.1. Tea Garden Drive13.3. How Can I Get the Best Shot?13.3.1. Equipment13.3.1.1. Lenses13.3.1.2. Filters13.3.1.3. Extras13.3.2. Camera settings13.3.3. Exposure13.3.3.1. Ideal time to shoot13.3.3.2. Working around the weather
14. Lombard Street
14.1. Why It's Worth a Photograph14.2. Where Can I Get the Best Shot?14.2.1. Lombard Street at Hyde Street14.2.2. Lombard Street and Grant Street14.2.3. Lombard Street at Leavenworth Street14.3. How Can I Get the Best Shot?14.3.1. Equipment14.3.1.1. Lenses14.3.1.2. Extras14.3.2. Camera settings14.3.3. Exposure14.3.3.1. Ideal time to shoot14.3.3.2. Working around the weather
15. Marina Green
15.1. Why It's Worth a Photograph15.2. Where Can I Get the Best Shot?15.3. How Can I Get the Best Shot?15.3.1. Equipment15.3.1.1. Lenses15.3.1.2. Extras15.3.2. Camera settings15.3.3. Exposure15.3.3.1. Ideal time to shoot15.3.3.2. Working around the weather
16. M.H. de Young Museum
16.1. Why It's Worth a Photograph16.2. Where Can I Get the Best Shot?16.3. How Can I Get the Best Shot?16.3.1. Equipment16.3.1.1. Lenses16.3.1.2. Extras16.3.2. Camera settings16.3.3. Exposure16.3.3.1. Ideal time to shoot16.3.3.2. Working around the weather
17. North Beach
17.1. Why It's Worth a Photograph17.2. Where Can I Get the Best Shot?17.2.1. Columbus Street between Filbert Street and Washington Street17.3. How Can I Get the Best Shot?17.3.1. Equipment17.3.2. Camera settings17.3.3. Exposure17.3.3.1. Ideal time to shoot17.3.3.2. Working around the weather
18. Ocean Beach
18.1. Why It's Worth a Photograph18.2. Where Can I Get the Best Shot?18.3. How Can I Get the Best Shot?18.3.1. Equipment18.3.1.1. Lenses18.3.1.2. Filters18.3.1.3. Extras18.3.2. Camera Settings18.3.3. Exposure18.3.3.1. Ideal time to shoot18.3.3.2. Working around the weather18.3.3.3. Low-light and night options18.3.3.4. Getting creative
19. Painted Ladies/Postcard Row
19.1. Why It's Worth a Photograph19.2. Where Can I Get the Best Shot?19.2.1. Alamo Square19.3. How Can I Get the Best Shot?19.3.1. Equipment19.3.1.1. Lenses19.3.1.2. Extras19.3.2. Camera settings19.3.3. Exposure19.3.3.1. Ideal time to shoot19.3.3.2. Working around the weather19.3.3.3. Low-light and night options
20. Palace of Fine Arts
20.1. Why It's Worth a Photograph20.2. Where Can I Get the Best Shot?20.3. How Can I Get the Best Shot?20.3.1. Equipment20.3.1.1. Lenses20.3.1.2. Extras20.3.2. Camera settings20.3.3. Exposure20.3.3.1. Ideal time to shoot20.3.3.2. Working around the weather20.3.3.3. Low-light and night options
21. Presidio of San Francisco
21.1. Why It's Worth a Photograph21.2. Where Can I Get the Best Shot?21.2.1. Inside the Presidio21.2.2. Presidio Victorians21.2.3. Infantry Row21.2.4. Eucalyptus trees21.2.5. San Francisco National Cemetery21.2.6. Crissy Field21.3. How Can I Get the Best Shot?21.3.1. Equipment21.3.1.1. Lenses21.3.1.2. Filters21.3.1.3. Extras21.3.2. Camera settings21.3.3. Exposure21.3.3.1. Ideal time to shoot21.3.3.2. Working around the weather21.3.3.3. Getting creative
22. Rodeo Beach/Marin Headlands
22.1. Why It's Worth a Photograph22.2. Where Can I Get the Best Shot?22.2.1. Rodeo Beach22.2.2. Bunkers22.2.3. Point Bonita Lighthouse22.3. How Can I Get the Best Shot?22.3.1. Equipment22.3.1.1. Lenses22.3.1.2. Filters22.3.1.3. Extras22.3.2. Camera settings22.3.3. Exposure22.3.3.1. Ideal time to shoot22.3.3.2. Working around the weather
23. Saints Peter and Paul Church
23.1. Why It's Worth a Photograph23.2. Where Can I Get the Best Shot?23.2.1. Washington Square23.3. How Can I Get the Best Shot?23.3.1. Equipment23.3.1.1. Lenses23.3.1.2. Extras23.3.2. Camera settings23.3.3. Exposure23.3.3.1. Ideal time to shoot23.3.3.2. Working around the weather
24. San Francisco Botanical Garden
24.1. Why It's Worth a Photograph24.2. Where Can I Get the Best Shot?24.3. How Can I Get the Best Shot?24.3.1. Equipment24.3.1.1. Lenses24.3.1.2. Extras24.3.2. Camera settings24.3.3. Exposure24.3.3.1. Ideal time to shoot24.3.3.2. Working around the weather24.3.3.3. Getting creative
25. San Francisco Cable Cars
25.1. Why It's Worth a Photograph25.2. Where Can I Get the Best Shot?25.2.1. Hyde Street between Chestnut Street and Francisco Street25.2.2. California Street between Mason Street and Powell Street25.2.3. Cable Car Museum25.3. How Can I Get the Best Shot?25.3.1. Equipment25.3.2. Camera settings25.3.3. Exposure25.3.3.1. Ideal time to shoot25.3.3.2. Working around the weather25.3.3.3. Getting creative
26. San Francisco-Oakland Bay Bridge
26.1. Why It's Worth a Photograph26.2. Where Can I Get the Best Shot?26.2.1. Embarcadero26.2.2. Treasure Island26.2.3. Yerba Buena Island26.2.4. Under the Bay Bridge26.2.5. Union Street and Montgomery Street26.3. How Can I Get the Best Shot?26.3.1. Equipment26.3.1.1. Lenses26.3.1.2. Extras26.3.2. Camera settings26.3.3. Exposure26.3.3.1. Ideal time to shoot26.3.3.2. Working around the weather26.3.3.3. Low-light and night options26.3.3.4. Getting creative
27. San Francisco Zoo
27.1. Why It's Worth a Photograph27.2. Where Can I Get the Best Shot?27.3. How Can I Get the Best Shot?27.3.1. Equipment27.3.1.1. Lenses27.3.1.2. Extras27.3.2. Camera settings27.3.3. Exposure27.3.3.1. Ideal time to shoot27.3.3.2. Working around the weather
28. Transamerica Pyramid
28.1. Why It's Worth a Photograph28.2. Where Can I Get the Best Shot?28.2.1. Pier 7 Embarcadero28.2.2. Columbus Street at Broadway Street28.2.3. Montgomery Street at Green Street28.2.4. Montgomery Street between Clay Street and Washington Street28.2.5. Coit Tower28.3. How Can I Get the Best Shot?28.3.1. Equipment28.3.1.1. Lenses28.3.1.2. Extras28.3.2. Camera settings28.3.3. Exposure28.3.3.1. Ideal time to shoot28.3.3.2. Working around the weather28.3.3.3. Low-light and night options28.3.3.4. Getting creative

Content preview from Photographing San Francisco: Digital Field Guide

Acknowledgments

I would like to acknowledge Chris Hurtt, Bryan Peterson, and Perfect Picture School of Photography for the inspiration of making me into the photographer I am today. These two photographers, whom I look up to, have given me the instruction and motivation I needed to take my passion to the next level. I would also like to thank my mother for all the years of support. A special thanks to my father who has been there for me and my family for the past eight years; without his support, guidance, and love I would not be who I am today.

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Photographing San Francisco: Digital Field Guide

by Bruce Sawle

Acknowledgments

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