May 2008
Intermediate to advanced
704 pages
18h 59m
English
Throughout this book we have looked at a wide variety of topics related to digital compositing. For most of these discussions, an attempt was made to provide a reasonably complete coverage of the topic given the limited amount of space available. To be sure, this entailed a fair bit of simplification in certain areas, particularly when you consider the fact that many of the chapters in this book could easily be expanded into complete books themselves.
This chapter will now take the time to go into a bit more detail about certain things that were only alluded to in earlier chapters, including concepts that the average compositor may not need to deal with regularly and/or that are somewhat more advanced ...
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