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Drawing for Graphic Design by Timothy Samara

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Drawing
/ for Graphic
Design
Processes
Section:
Subsection
Two to
Four Lines
Maximum
Letter/Icon Combination,
161
Letter/Letter
Combination, 160
Mass and Contour, 144
Motif and Evolution,
142–143
Nonpictorial Narrative,
156, 157
Obliterating and
Obscuring, 150
Organic Subject,
162–163
Planar Object, 146–147
Positive/Negative, 141
Reductive, Naturalistic
Translation, 168–169
Reductive/Singularity,
157
Rubbing, 139
Silhouetted Icon, 152,
159
Spatial/Landscape,
164–165
Stylization, 172–173
Transformational
Nonpictorial
Narrative, 176–177
Volumetric Form,
154–155, 162–163
Wordmark / Titling
exercise, 170–171
expansive field drawings.
See environmental
nonpictorial drawings.
F
Fabrica, 209
Felipe Taborda Design, 35
felt markers, 135
Fiktiv, 186, 211
Finland (TSTO), 59, 63, 196,
204, 211
Fisher, Max, 28, 59
Flat Plane exercise, 145
Flúor, 20, 30, 183, 196
form language, 32–33
France
Rudi Meyer, 19, 31
Studio Apeloig, 33,
47, 69, 184, 188, 196
Fundamental Geometry,
37, 145
G
Gazarian, Rosa, 171
Gee+Chung Design, 21, 66,
188, 213, 215
Gehshan, Kay, 71
Geissbühler, Steff, 17, 21,
24, 46, 48, 64, 68, 78, 82,
211, 214
Germany
Büro Uebele Visuelle
Kommunikation, 17,
210
heSign International
GmbH, 27
Hort, 77
Slang, 19, 28, 42
[ths] Thomas Schostok
Design, 69, 189
gestures
Gestural/Field exercise,
156
gestural syntax, 24, 25
gestural marks, 30–31
Gestural Translation
exercise, 153
Gestural Typographic
Composition exercise,
166
Glissman, Sean, 171
gouache, 136
Grafikum, 83
graphic erasers, 135
graphite sticks, 135
Grandgenett, Ben, 171
grid-based geometric syntax,
24
Guo, Shawfay, 171
H
Harris, Kevin, 65, 151
Hart, Richard, 82, 116–119
Harvey, Catherine, 24, 42,
45, 94–95
Haynes, Jud, 37, 199
Heo, Sooim, 171
heSign International GmbH,
27
Hiebert, Christine, 30, 44
Hinterland Studio, 21, 27, 55,
180, 189
Hort, 77
hues, 34, 35
Huey, Michelle, 11
I
India ink, 136
Industrial Revolution, 7
ink, 136
Internal Typographic
Structure, 39
International Style design
movement, 7
Iran (Mehdi Saeedi Studio),
17, 55, 67, 184, 193
Irvine, Rhiann, 194
Isenberg, Kristen, 71
Iskowitz, Andrew, 9, 55
Isolating Marks and Forms
exercise, 140
Israel (Jewboy Corp.), 61,
206
Italy
ABC Atelier, 19, 75
Fabrica, 209
Mauro Melis, 37, 217
Milani Design, 52, 208
Disturbance, 82, 116–119,
217
drawing pencils, 135
droppers, 136
Dubko, Vladimir, 44
E
Emphasizing Exploration, 89
empirical drawings, 17
Empirical, Volumetric
Drawing, 92–93
engraving, 137, 180, 196
environmental nonpictorial
drawings, 18, 25
EPS format, 104, 105
erasers, 135
Erickson, Kate, 79
Estudio Diego Feijóo, 73,
120–123, 200
Exercises
Action, 167
Alphabet Investigation,
148–149
Area Map, 158
Custom Typeface,
174–175
Cylinders and Polyhedra,
154–155
Dark/Light, 141
Deconstructed Narrative,
172–173
Detailed Icon, 159
Flat Plane and Axis, 145
Gestural/Field, 156
Gestural Translation, 153
Gestural Typographic
Composition, 166
Isolating Marks and
Forms, 140
Kinetic Narrative,
172–173
Letterform Manipulation,
151, 170–171

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