220
/
221220
/
221
Lee, Irina, 27, 48, 58
Lee, Soo Yeon, 10
Lee, So Won, 18
Letterform Manipulation
exercises, 151, 170–171
Letter/Icon Combination
exercise, 161
Letter/Icon Logo
Development, 96–97
Letter/Letter Combination
exercise, 160
Liebert, Rebecca, 171
lines, introduction, 26–27
linear geometric syntax, 24
linear organic syntax, 25
linoleum-cutting tools, 137
Logic of Organization, 42–43
LoSiento, 30, 182, 187, 201,
207
LSDspace, 210
The Luxury of Protest, 11, 24,
70, 72, 77
M
Manipulation Strategies, 108
Martino, 75, 195, 198
Masa Watanabe Design
Institute, 28, 59
Masking, 107
masonite drawing boards,
135
mass, 28–29
Mass and Contour exercise,
144
masses, 29
Mayr, Marion, 83
Mehdi Saeedi Studio, 17, 55,
67, 184, 193
Melis, Mauro, 37, 217
Message and Metaphor,
68–85
Methane Studios, 68
Mexico (Jorge Alderete),
66, 199
Meyer, Rudi, 19, 31
Milani Design, 52, 208
Millermaier, Max, 211, 214
Mioja case study, 116–119
Modeling Creative
Processes, 88–89
Modern Dog Design Co., 35,
74, 193
Mookai Communications, 27
Motif and Evolution exercise,
142–143
Mukherjee, Tina, 26, 79
N
Nakahara, Yoshisada, 61, 69
Nakano Design Office,
124–127
Narrative
Allusion, Symbol, and
Metaphor, 74–75
Communicating with
Color, 84–85
introduction, 68–69
Narrative Effects of
Medium, 82–83
Narratives in Typographic
Form, 80–81
Storytelling in the
Abstract, 76–79
Stylization and
Manipulation, 72–73
Subject Selection and
Editing, 70
The Netherlands
Niessen+deVries, 59
Strange Attractors, 20,
80, 205
Niessen+deVries, 59
nonpictorial drawings
introduction, 14, 15, 18
Nonpictorial Language
Study, 94–95
Nonpictorial Narrative
exercises, 156, 157
Norton, Julian, 19
O
Obliterating and Obscuring
exercise, 150
O’Dell, Scott, 133
Omori, Takuji, 52, 53, 195
Önel, Aylin, 45, 69
Organic Subject exercise,
162–163
organic syntax, 24
Organizing Form in Space,
40–41
Osumi, Shiho, 39
P
Pallelo, Massimo, 19
Paone Design Associates,
11, 21, 24, 25, 37, 38, 63,
84, 102, 128–131, 162,
163, 168, 184
paper considerations, 137
Parity, 106
Park, Jihyun, 171
Park, Sung Jin, 42, 53, 62, 65
Park Woohyuk, 47, 204
Parsons [The New School for
Design], 10, 76
Part-to-Whole Structural
Relationships, 44–47
pastel chalks, 135
PCD Estudio de Diseño, 31,
64, 65, 182, 187, 193,
207
pencils, 135
pens, 135
Pentagram, 195
Perceptual Space
Achieving Depth Through
Shading, 63
Establishing Depth in
Reduction, 64
J
Jang, Yoon Deok, 10, 41
Japan
Design Tôge, 26, 216
Masa Watanabe Design
Institute, 28, 59
Nakano Design Office,
124–127
Shinnoske, Inc., 24, 25,
27, 54
SIN [Yoshisada
Nakahara], 61, 69
Takuji Omori, 52, 53, 195
Ten Do Ten, 37
Javirroyo, 31, 198
Jewboy Corp., 61, 206
Johnson, Lesley, 71
Jung, Youngmi, 212
Justen, Jaime, 81
Juxtaposition, Overlap, and
Transparency, 107
K
KAKO, 29, 42, 46, 58, 60, 195
Kang, Yoojung, 67, 171
Kellogg, Rhoda, 133
Kim, Anna, 51
Kim, Bo Rim, 28, 171
Kim, Eun Young, 57, 65
Kim, Ha Young, 171
Kim, Jeong Hyon, 171
Kim, Jin Kwang, 10, 180
Kim, Na Yeon, 57
Kim, Rachel, 171
Kinetic Narrative exercise,
172–173
kneaded erasers, 135
Korea (Type.Page [Park
Woohyuk]), 47, 204
L
Laserow, Scott, 11, 21, 209

Get Drawing for Graphic Design now with the O’Reilly learning platform.

O’Reilly members experience books, live events, courses curated by job role, and more from O’Reilly and nearly 200 top publishers.