Book description
Want access to the best-kept secrets and tips for sounding and looking professional while presenting on-camera for television?This is your toolkit.
Reardon's On Camera: How to Report Anchor and Interview teaches you how to become professional and effective on camera. Learn how to appear, and feel, at ease-whether doing an interview or reporting in the field, or whether reading copy from a prompter or giving a video presentation. Read about what tricks the pros use to get the best interview answers from their subjects.
. Nancy Reardon reveals a career's worth of inside stories from the world of reporting-insights toward helping you develop your professional skills
. Get the scoop on job techniques and essentials: how to anchor, report & interview with the hallmarks of a pro
. The CD-ROM is a course in itself, with video examples of how to interview on-camera, prompter copy for you to practice your reading and breathing techniques
These are the nuts and bolts of how to do the job at the network level or as a backpack journalist so that when you're standing in front of the camera, in the studio, or out on location-you know what you're doing. Nancy gives you techniques behind professional on camera presentation, with exercises drawn from her years of teaching. The book, co-written by Tom Flynn with decades of experience at the networks, provides tricks of the trade and some surprising-but-true stories from inside the business.
Presenting on camera is not limited to television. Today, most businesses require you to be media savvy. You have to learn how to comfortably present yourself in video conferences, as well as videotaped messages to large and small groups. Whether you are new to television or have experience in front of the camera, you can improve on your current skills by reflecting on the career-focused tips and tried-and-true principles inside this book's cover-all oriented to skills development.
The book's CD-ROM contains instructional videos, an interactive feature story that allows you to write, edit and read your script, as well as vocal technique demonstration videos led by the author. Included is prompter copy that you will get nowhere else. It gives you the experience of reading a script from the prompter just as the pros do in the studio.
We hope you enjoy the witty drawings by New Yorker cartoonist W. Miller, which illustrate on camera positioning!
Table of contents
- Cover
- Half Title
- Full Title
- Copyright
- Contents
- Foreword
- Acknowledgments
- Introduction
- Writers' Biographies
- 1 On Camera
- Interviewing
-
2 Interviewing
- Prepare
- Communicate
- Listen
- To Pre-Interview or Not to Pre-I nterview?
- Be Polite
- Hard News Interviews
- Soft News Interviews
- The All-Important First Question
- The Shape of an Interview
- Time is of the Essence
- Answers that are Toooo Long
- Questions that are Toooo Long
- Yes or No Questions
- Anecdotes and Stories
- Have more Questions than You Think You Will Need
- Where Do You Look When You are Interviewing?
- Your Voice
- Whose Interview is it Anyway?
- The End of the Interview
- The Difference Maker
- Checklist
- Are there any Exercises I can Use?
- Exercise for Interview Variety
- Exercise for Questions
- Exercise for Listening
- Exercise for Flexibility
- One Last Exercise
- Practice, Practice, Practice
- 3 The Interviewee
- On-Camera Reporting
- 4 Gathering the Facts
-
5 Writing the Script
- Nancy's Class Fire Story
- On-Camera Field Interviews
- Let's Write the Script and Make a Package
- This is a Visual Medium
- Pace
- Language is a Tool
- Hard News/Light News
- Use of "We" Versus "You" in Your Script
- Reporting from the War Front
- Fat Head Advice
- Finding Your Stories and Developing Your Sources
- Conclusion to Writing the Script
- Checklist
-
6 Presenting the Report on Camera
- Studio Lead or Studio Throw
- The Open
- Beware of the Same Copy
- The Package
- Stand-Ups
- Be Creative But…
- Wallpaper
- Bridges
- Graphics
- File Tape
- The Close
- The Tag
- The Sign Off
- Q and A
- Reporter's Notes and Notebooks
- Microphone Position
- Where Do I Look?
- It's All in How You Ask the Question
- Intention
- Some Final Notes for On-Camera Reporter Interviews
- The Five Ws and the Dreaded H
- One Question at a Time
- Think of Your Priorities
- You are Going Live
- Stay Calm in a Crisis
- Don't Give Up
- Substitutions
- Crowd Control
- How do You Handle Disagreements with Your Boss?
- Conclusion
- Checklist
- Reporting Exercises
- Beat Reporting
- 7 Sports Reporting
- 8 Weather Reporting
- 9 Medical Reporting
- 10 Legal Reporting
- 11 Entertainment Reporting
- 12 Business Reporting
-
13 Anchoring I
- Anchoring is a Craft
- Credibility is the Bedrock of the Anchor
- Who are You?
- Anchor Qualities and Skills
- Pace
- Other Things to Know About an Anchor's Read
- How Much Can I Move?
- Connections
- Try Substitution
- Voice and Read
- Subtext and Intentions
- Segue
- Hey! Relax!
- Anchor Jack (and Jill for that Matter) are Dull
- Don't forget Reporting and Interviewing Skills
- Be Honest… But Not Hard on Yourself
- In Indiana, It's Pronounced "Pee-Roo"
- Trust Me, They Love You
- Checklist
- Ad-Libbing Exercise
-
14 Anchoring II
- The TelePrompTer
- The Hard Copy
- Headlines and Opens
- Teases and Bumpers
- What is a Bumper?
- The Update
- Close
- Double Anchoring
- Contrast is the Name of the Game
- Light News
- Smile if the Story is Light News
- Smile When You Can
- The Morning Shows
- Point of View or Proper Attitude?
- Nancy's Bedtime Story
- Checklist
- Exercise for Subtext and Intentions
- 15 Hosting
- Vocal and Physical Technique
- 16 The Voice Itself
-
17 Techniques for a Good Reading
- Punctuation for TV Scripts
- Tape and Ape
- Reading but Not Sounding that Way
- Mark Your Script
- How to Sound Great and Natural
- Question and Answer Exercise
- Loosen Up
- Try Paraphrasing
- Monotone Millie
- You are Not an Announcer
- Talk to One Person
- Five Keys to a Great Reading
- Giving a Level
- Time and Timing Are Important
- Don't Make Paper Noises
- Exercises for a Great Read
- Checklist
- 18 Physical Techniques
-
19 Looking Good
- Make-Up!
- For Women
- What About Make-Up for Men?
- Some Tricks
- Lipstick
- Make-Up for Young and Old
- Make-Up and Hair for Ethnic Skin Tones
- Do Black Women Have to Straighten their Hair?
- What About Make-Up for Asian Women?
- Make-Up for Entertainment Reporters
- Tips for Men
- Tips for Women
- So Where Do You Get Your Make-Up?
- Television Make-Up Products
- Hair Counts
- Hair Spray
- Eyes
- Teeth
- Clothes Make the Anchor
- Bejeweled? Be Careful
- It's You, It's Your Responsibility
- Where To Go
- Getting the Job
-
20 Preparing Your Reel
- Advice from the Trenches
- So How Do I Make a Good Reel?
- What Goes on Your Reel?
- What Does Not Go on Your Reel?
- Story Lines for the Reel
- Should I Use a Famous Person in the Package on My Reel?
- What if My Story Isn't Mine But I Have to Have Something on a Reel?
- What About Production Houses that Provide Package Help?
- What Makes a Reel Jump Out?
- How Important is an Agent?
- What About Looks?
- To School or Not to School? What About Education?
- Does it Matter Which School?
- What About Writing Skills?
- What Experience Does Joe Look For?
- What's the Key Thing I Should Worry About on My Reel?
- More Stuff from Joe
- A Few Words to Grow By…
- 21 How to Land A Job in Television
- Epilogue
- Index
Product information
- Title: On Camera
- Author(s):
- Release date: September 2006
- Publisher(s): Focal Press
- ISBN: 9781136033933
You might also like
book
On Camera, 2nd Edition
From the Foreword by Bob Schieffer: "This is a real 'how to' book by two people …
book
Presenting on TV and Radio
Aspiring radio and TV presenters will benefit from the informative and entertaining guidance provided by accomplished …
book
The Truth About Getting Your Point Across: ...And Nothing but the Truth
Improving communication skills is the single most powerful step one can take to supercharge a career. …
book
Chasing the Light: Improving Your Photography with Available Light
Light. It's the most powerful tool that any photography has at their disposal. Whether the lens …