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Practical Artistry: Light & Exposure for Digital Photographers
book

Practical Artistry: Light & Exposure for Digital Photographers

by Harold Davis
April 2008
Intermediate to advanced
176 pages
5h 45m
English
O'Reilly Media, Inc.
Content preview from Practical Artistry: Light & Exposure for Digital Photographers
30 Understanding Exposure
Working with Exposure Modes
Working with Exposure Modes
Sure, you can sometimes get perfectly good results us-
ing your camera set on automatic exposure mode. But,
of course, using auto exposure substitutes a calculation
made by the processor inside your camera for your own
creative judgement. Sometimes there’s no substitute for
manually choosing your exposure components.
Purists will say that if you want to take those great pho-
tos you see in your mind’s eye, you’ve got to get your
camera off automatic exposure. In part, this is because
getting your camera off auto does mean understand
-
in
g exposure. Great photos start with good exposures
(even if these exposures are later enhanced in the digi-
t
al darkroom). These purists (and I) do wa
nt you to
understand exposure.
Even the purists know that it sometimes makes sense
to use one of the semi-automatic exposure modes that
I’ve already mentioned in passing.
As opposed to a fully automatic exposure mode, in a
semi-automatic mode you choose one of the compo-
n
ents of the exposure equation (such as shutter speed or
aperture), and the camera makes the rest of the settings.
If you understand how the different exposure modes
work, along with the basics of exposures themselves,
you’ll know when you can effectively use automatic
exposure or a semi-automatic exposure mode. All rea
-
s
onably sophisticated ...
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Publisher Resources

ISBN: 9780596529888Errata