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Practical Artistry: Light & Exposure for Digital Photographers
book

Practical Artistry: Light & Exposure for Digital Photographers

by Harold Davis
April 2008
Intermediate to advanced
176 pages
5h 45m
English
O'Reilly Media, Inc.
Content preview from Practical Artistry: Light & Exposure for Digital Photographers
72 Working with Aperture
When Aperture Doesn’t Matter
When Aperture Doesn’t Matter
When you’ve said, “Sometimes the aperture doesn’t
matter,” what more can you add? If aperture doesn’t
matter, it just doesn’t matter. But the question is: In
what situations does the aperture not matter?
Aperture doesn’t matter when depth of field doesn’t
matter. But even if depth of field doesn’t matter, you
may be compelled to select a particular aperture when
shutter speed is an issue because either the subject is
in motion or the camera is unsteady. Take a look at
Chapter 3 to learn more about this topic.
Depth of field doesn’t matter when a photo is entirely
in focus at infinity (and you are focused at infinity).
In every other case, there’s a strong possibility that
depth of field and aperture really do matter. So pay at-
tention to them!
To sum it up: When you are focused at infinity, and
your subject is entirely at infinity, there’s no concern
about depth of field and therefore aperture doesn’t
matter unless the exposure equation (because of shut-
t
er speed considerations) in fact compels a choice of
aperture.
Of
course, there are a great many situations that meet
the criterion of being entirely in focus at infinity, such
as distant landscapes and photos of buildings in cities.
You should make a point of recognizing these situa-
t
ions so
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Publisher Resources

ISBN: 9780596529888Errata