Index
action: audience action as a goal, 12–13, 84, 150–2, 160; axis of, 121–3; breaking down into smaller elements, 42–4, 49; camera capture of moving, 46; close-ups to engage viewers in the, 39, 49; cutaways from the, 99, 109, 121; cutting on the, 126; establishing, transition, and reestablishing shots, 105, 106; frame rate capture of, 116; jump cuts, 101; learning activities, 49, 50, 132; long action compression, 40; panning sound to complement, 57; script notations of, 77; shot sequences to capture a single, 71; shots to make action understandable, 39; visual motion and effects, 149; wide shots to establish the location of an, 72
ambient sound see natural sound
angles: camera in a media audit, 4; displaying in floor ...
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