September 2016
Beginner
248 pages
6h 9m
English
Content preview from The Art and Practice of Directing for TheatreBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.
Chapter 13The Director’s Portfolio
Actors have auditions. Designers have portfolios full of beautiful sketches, renderings, and photographs. Stage managers have prompt books and reams of paperwork. All of those items are used to pursue future jobs, but what about directors? Outside of a résumé and an interview, what do directors have to show that they are qualified to be hired? The title of this chapter, of course, has given the answer to that question away: the director’s portfolio.
Portfolios for directors are a somewhat nebulous thing, as there are no established criteria for what constitutes a “standard” directing portfolio. Part of the reason is that many companies hire directors based on recommendations, word of mouth, or familiarity (a ...
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