September 2016
Beginner
248 pages
6h 9m
English
Content preview from The Art and Practice of Directing for TheatreBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Index
Page numbers in bold denote figures.
A
A-A-E (Action-Adjustment-Expectation) blocking notation 137–140, 138, 139, 143
actor-centric audition approach 73, 75
actors: blocking 146–147, 150, 157, 161; character development 147–148, 150; Equity 100, 149; less experienced/young 54–55, 127–128, 136, 140, 153; note-taking and giving to 151–155, 168, 175–176; off-book rehearsals 149–150, 155; opening night 174, 175–176; post-mortem analysis 184, 186; and rehearsal schedules 113–114; tech rehearsals 157–158, 160–161; types 16; see also auditions; casting
Adventures of Robin Hood, The 196, 197
AEA (Actors’ Equity Association) 100, 149
aggressive directors 15
Antigone (Sophocles) 19
Arrested ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.