Typographic Design: Form and Communication, 6th Edition

INDEX

Page numbers in italic refer to illustrations

ABA form

communication, 106–110, 114

typographic grids, 80

Accented characters, 35, 64

Acropolis (Athens, Greece), 3

Adobe, 25, 60, 129, 130

Akkurat, 191

Alcalá, Antonio, 30

Aldine Press, 7

Alphabets. See also Letter

Bayer's universal, 19

defined, 31–32

legibility, 50–51, 50–51

optical relationships, 36

Phoenician, 3

Angle, typefaces, 46, 46

Anthony, Carol, 115

Antialiasing, legibility, 134, 135, 135, 140, 145

Apeloig, Philippe, 27

Apex, 33, 36

Apollinaire, Guillaume, 156, 157

Arch of Constantine (Rome), 4

Arm, 33

Armstrong, Frank, 87, 91, 94, 97

Arp, Hans, 86, 87

Art deco, 20

Art nouveau style, 17

Ascenders, 33, 34, 35, 41, 50, 51, 53–55

Avant Garde, 45, 45

Demi, 184

Background

legibility, 55–58, 56–57

on-screen, 135, 145

Baldwin, Polly, 82

Ballmer, Walter, 89, 117

Ball State University, 200

Barnbrook, Jonathan, 25

Barnes, Jeff, 95

Baseline, 32, 32, 60, 142

Baseline grid, 64, 74, 74, 79

Baskerville, 38, 45, 45, 50, 54, 294–301

Italic, 46, 46

Baskerville, John, 11, 36, 36, 294, 291

Bass, Saul, 21, 157

Bauhaus, 66

Bayer, Herbert, 19, 58

Bayot, Alan, 212, 225

Beard line, 32, 32

Beckwith, Christian, 77

Behrens, Peter, 18

Bell, Nick, 118

Belser, Burkey, 118

Bembo, Pietro, 7

Benton, Morris F., 46, 268

Benedit, Juan, 82

Berger & Föhr, 131

Bermejo, Joanne, 214

Bernhardi, Ernest, 234, 236, 238, 239, 234–240

Bernstein, Jennifer, 204

Besley, Robert, 14

Bierma, Wigger, 77

Bil'ak, Peter, 226

Bill, Max, 20, 66

Binder, Maurice, 157, 158