
Most graduating design students create print
portfolios; they typically spend the last part of
their senior year assembling all their best proj-
ects into a presentation box of some kind. Often,
students will polish or rework old pieces and add
some extra promotional work. Boxes are made or
purchased to fit the material, both physically and
stylistically. Frequently, the portfolio has a theme,
as in the case of Rhode Island School of Design
student Michelle Kim’s white case with red string
(124–125). She titled it “Being Green” to signal
her newness in the field. Increasingly, student
portfolios take the form of printed books, organ-
ized around a central ...