
M
asks are awesome and come in many
shapes and forms, but adding special
features will take them to the next level! Here I’ll
show you how I approach creating an advanced
mask with moving parts, such as my werewolf
head, with no motors required.
For any mask, I start with a 3D scan of my
head, and lots of reference photos of the animal,
and I think about my line of vision, how I’ll see
out of the mask — see-through eyes, or hidden
mesh peepholes, or in this case, looking out
the mouth.
Then adding moving features to a
mask is, for me, a process of reverse-
engineering:
• I sketch which part is going to move,
in what direction, and where the st