Preface

 

 

Numerous texts on directing exist, each with its own strengths and weaknesses, so why another one? Over the years I have been unable to find a text for my directing classes that follows my comprehensive agenda. What I was looking for was a book that addressed the full range of the director’s functions, including working with the production staff, the rehearsal process, and the actors in the order of the production process. This book’s content is based on my more than 40 years of experience as a director and designer in both commercial and academic theatre. It reflects my philosophy that a director should be conversant with all aspects of theatre and the director must be able to synthesize the work of all members of the production ...

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