November 2014
Beginner to intermediate
192 pages
4h 8m
English
Content preview from The Photographer's Eye: Graphic GuideBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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CLASSICAL
Sierra Nevada de Santa Marta, 1974
I may be stretching the term “classical,” or even misusing it by suggesting that it’s to do with classical painting, but I mean the kind of approach to composition that is well accepted, comfortable on the eye, and is what any well trained photographer would do to produce a generally satisfying image. It may or may not involve dividing the frame according to the Golden Section, more or less, and that doesn’t really matter; above all, it’s about innately satisfying proportions that balance larger against smaller, and darker against lighter. Our eyes are drawn to the light, and brighter usually gets more ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.