November 2014
Beginner to intermediate
192 pages
4h 8m
English

Juxtaposition—setting one thing against another in the frame—is absolutely basic to photography, and always has been throughout its history. Quite simply, it adds depth to the image—depth of idea, depth of graphic form. Often just one of these, but sometimes when we’re lucky or just working harder at it, the two together. When it’s about idea, the combinations are endless, and more often than not a subject in the foreground is placed against a subject behind with the implication that they have a connection. Often, and maybe even usually, they don’t in reality have a connection, but that doesn’t prevent the photographer from ...
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