May 2020
Beginner to intermediate
594 pages
20h 36m
English
This chapter looks at the relationship between the chronology of documented events, their organization into a satisfying dramatic form, and the way in which a story’s dramatic potential can reorder its sequencing for different kinds of impact. Everything here applies to all kinds of documentary, including the purely observational. These ideas and perspectives are meant to help you see the mechanisms that hold the audience’s attention and are related concepts, not methodical procedures.
It’s important to note that documentary form can be used to arrange and illustrate concepts rather than to observe and penetrate. Opposed to such stereotyping, observational filmmakers seem to set ...
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