May 2020
Beginner to intermediate
594 pages
20h 36m
English
Content preview from Directing the Documentary, 7th Edition
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C H A P T E R 20
Reconstruction, Re-Enactment and Docudrama
Documentary Reconstruction
Subjective Reconstruction
From Flaherty onward, documentary and reconstruction were inseparable. Today, you might film how a boy found an unexploded bomb in a ploughed field by having him return as an elderly man to the very spot where he found it. You might even half-bury a bomb casing and shoot his actions as he remembers them, laying his voice over the actions. Importantly, there’s no ambivalence because the audience knows from its viewing history that the scene is an imaginative reenactment and intended to dramatize the ambiguities of human memory. Especially when a person must run through several versions in search of the most likely, such techniques ...
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