August 2024
Intermediate to advanced
278 pages
8h 45m
English
Content preview from Recording Orchestra and Other Classical Music Ensembles, 2nd Edition
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Chapter 11Recording Concertos
This chapter addresses placement of the soloist on stage and visual communication between the soloist and conductor, and also includes a general discussion of balance between soloist and orchestra. In this variation of orchestra recording, the conductor becomes the accompanist (though not all conductors would agree). In some cases, there may be political issues that arise during the recording of a concerto; specifically, differences of opinion between conductor and soloist regarding balance, tempo and overall musical interpretation. The recording team, and more specifically the producer, will need to be prepared to delicately navigate this landscape.
There is a famous story of pianist ...
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