August 2024
Intermediate to advanced
278 pages
8h 45m
English
From the First Edition Preface
1.1 Schools of Thought on Orchestral Recording
1.2 Creating the Overall Picture from One Perspective
1.3 Combining Two or More Main Microphone Systems
1.4 Using Close Microphones as the Principal Audio Capture
1.5 Other Classical Music Ensembles
2 How to Listen: Loudspeakers, Headphones and Listening Rooms
2.3 Listening to Existing Recordings
2.4 Listening to the Control Room
2.7 Setting up the Control Room
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