August 2024
Intermediate to advanced
278 pages
8h 45m
English
Content preview from Recording Orchestra and Other Classical Music Ensembles, 2nd Edition
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Chapter 28Recording and Mixing for Immersive/3D Content
This chapter expands on traditional 5.1 surround-sound methodologies and includes a discussion of the ins and outs of delivering immersive content to a client or record label for distribution via music-streaming services.
Immersive music production is now very popular with artists and record labels, as they seek to provide consumers with a more engaging listening experience. Currently, the priority is binaural reproduction of immersive content over headphones, due to its widespread availability and cost-effective delivery to the consumer. Listening to stereo program over headphones is fairly limited in terms of its presentation of soundscape (see Section ...
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