With iPhoto installed and ready to run, it’s time for you to import your own pictures into the program—a process that’s remarkably easy, especially if your photos are going directly from your camera into iPhoto.
Of course, if you’ve been taking digital photos for some time, you probably have a lot of photo files already crammed into folders on your hard drive or on Zip disks or CDs. If you shoot pictures with a traditional film camera and use a scanner to digitize them, you’ve probably got piles of JPEG or TIFF images stashed away on disk already, waiting to be cataloged using iPhoto.
This section explains how to transfer files into iPhoto from each of these sources.
Every modern digital camera can connect to a Mac using the USB port. If your Mac has more than one USB jack, any of them will do.
Don’t bother looking for the Import button.
A few cameras require a step that would be numbered 1.5 right about here: turning the Mode dial on the top to whatever tiny symbol means “computer connection.” If yours does, do that.
Connect the camera to one of your Mac’s USB jacks.
To make this camera-to-Mac USB connection, you need what is usually called an A-to-B USB cable; your camera probably came with one. The “A” end—the part you plug into your camera—has a small, flat-bottomed plug whose shape varies by manufacturer. The Mac end of the cable has a larger, flatter, rectangular, standard USB plug. Make sure both ends of the cable are plugged in firmly.
If iPhoto isn’t already running when you make this connection, the program opens and springs into action as soon as you switch on the camera (that is, unless you’ve changed the factory settings in Image Capture, a little program that sits in your Applications folder).
If this is the first time you’ve ever run iPhoto, it asks if you always want it to run when you plug in the camera. If you value your time, say yes.
In iPhoto 5, there’s no wondering whether iPhoto is ready to do its job; the entire screen changes to show you the “ready” message shown in Figure 4-3.
In addition, your camera’s icon appears in the Source list. That’s handy, because it means that you can switch back and forth between the importing mode (click the camera’s icon) and the regular working-in-iPhoto mode (click any other icon in the Source list), even while the time-consuming importing is under way.
(Incidentally, as long as the camera’s appearing in the Source list—wouldn’t it be cool if you could drag photos onto the camera too? Maybe next year.)
If you like, type in a roll name and description for the pictures you’re about to import.
Figure 4-3. iPhoto is ready to import, captain! If you have to wait a long time for this screen to appear, it’s because you’ve got a lot of pictures on your camera, and it takes iPhoto a while to count them up and prepare for the task at hand. (The number may be somewhat larger than you expect if you forgot to erase your last batch of photos.)
Of course, there’s no real film in digital photography, and your pictures aren’t on a “roll” of anything. But if you think about it, the metaphor makes sense. Just as in traditional photography, where each batch of photos you shoot is captured on a separate roll of film, each separate batch of photos you download into iPhoto gets classified as its own film roll.
You’ll learn much more about film rolls in Chapter 5. For the moment, typing in a name for each new batch—Disney, First Weekend or Baby Meets Lasagna, for example—will help you organize and find your pictures later. (Use the Description box for more elaborate textual blurbs, if you like. You could specify the date, who was on the trip, the circumstances of the shoot, and so on.)
Figure 4-4. Top: If you’re not in the habit of using the “Delete items from camera after importing” option, you may occasionally see the “Import duplicates?” message. iPhoto notices the arrival of duplicates and offers you the option of downloading them again, resulting in duplicates on your Mac, or ignoring them and importing only the new photos from your camera. The latter option can save you a lot of time.Bottom: A nice new feature in iPhoto 5: As the pictures get slurped into your Mac, iPhoto shows them to you, nice and big, as a sort of slideshow. You can see right away which ones were your hits, which were the misses, and which you’ll want to delete the instant the importing process is complete.
If you turn on this box, iPhoto will automatically delete all photos from your camera’s memory card once they’re safely on the Mac. Your camera’s memory card will be all ready for you to fill with more pictures.
Now, iPhoto won’t delete your pictures until after it has successfully copied them all to the Photo Library. However, it’s not beyond the realm of possibility that a hard disk could fail during an iPhoto import, or that a file could get corrupted when copied, thereby becoming unopenable. If you want to play it safe, leave the “Delete items from camera after importing” option turned off.
Then, after you’ve confirmed that all of your photos have been copied safely, you can use the camera’s own menus to erase its memory card.
Click the Import button.
If you chose the auto-erase feature, you’ll see a final “Confirm Move” dialog box, affording you one last chance to back out of that decision. Click Delete Originals if you’re sure you want the camera erased after the transfer, or Keep Originals if you want iPhoto to import copies of them, leaving the originals on the camera.
A different message appears if you’re about to import photos you’ve already imported (see Figure 4-4, top).
In any case, iPhoto swings into action, copying each photo from your camera to your hard drive. You get to see them as they parade by (Figure 4-4, bottom).
When the process is over, your freshly imported photos appear in the main iPhoto window, awaiting your organizational talents.
Turn off the camera, and then unplug it from the USB cable.
You’re ready to start having fun with your new pictures (page 94).
A USB memory card reader offers another convenient way to transfer photos into iPhoto. Most of these card readers, which look like tiny disk drives, are under $20, and some can even read more than one kind of memory card.
If you have a reader, then instead of connecting the camera to the Mac, simply remove the camera’s memory card and insert it into the reader (which you can leave permanently connected to the Mac). iPhoto recognizes the reader as though it’s a camera and offers to import (and erase) the photos, just as described on the previous pages.
This method offers several advantages over the camera-connection method. First, it eliminates the considerable battery drain involved in pumping the photos straight off the camera. Second, it’s less hassle to pull a memory card out of your camera and slip it into your card reader (which is always plugged in) than it is to constantly plug and unplug camera cables. Finally, this method lets you use almost any digital camera with iPhoto, even those too old to include a USB cable connector.
iPhoto doesn’t recognize most camcorders, even though most models can take still pictures. Many camcorders store their stills on a memory card just as digital cameras do, so a memory card reader is exactly what you need to get those pictures into iPhoto.
Connecting with a USB-compatible memory card reader is almost identical to connecting a camera. Here’s how:
Pop a memory card out of your camera and insert it into the reader.
Of course, the card reader should already be plugged into the Mac’s USB jack.
As when you connect a camera, iPhoto acknowledges the presence of the memory card reader. A huge camera icon appears in the main window, you see the number of images on the card, and you’re offered a chance to type in a roll name and description. As described on page 86, you can also turn on the “Delete items from camera after importing” checkbox if you want iPhoto to automatically clear the memory card after copying the files to your Mac.
iPhoto swings into action, copying the photos off the card.
Put the card back into the camera, so it’s ready for more action.
If your camera doesn’t have a USB connection and you don’t have a memory card reader, you’re still not out of luck.
First, copy the photos from your camera/memory card onto your hard drive (or other disk) using whatever software or hardware came with your camera. Then bring them into iPhoto as you would any other graphics files.
If you’ve already got digital photos—or any other kinds of graphics files—stored somewhere on your computer, the easiest way to import them into iPhoto is simply to drag their icons into the main iPhoto window, using one of these two methods:
Drag the files directly into the main iPhoto window, which automatically starts the import process. You can also drop an entire folder of images into iPhoto to import the contents of the whole folder, as shown in Figure 4-5.
What’s especially nice in iPhoto 5 is that you can drag a bunch of folders at once.
Take the time to name your folders intelligently before dragging them into iPhoto, because the program retains their names. If you drag a folder directly into the main photo area, you get a new film roll named for the folder (page 103); if you drag the folder into the Source list at the left side of the screen, you get a new album named for the folder. And if there are folders inside folders, they, too, become new film rolls and albums. Details on all this reside in Chapter 5.
Choose File → Add to Library (or press ⌘-O) in iPhoto and select a file or folder in the Open dialog box, shown in Figure 4-6.
Apple changes both the wording and the keystroke for this command, which, before iPhoto 5, was called Import. The change is logical enough, as it usefully suggests what’s really going to happen. (You’re about to create a duplicate of whatever you import, adding a copy of the original to iPhoto’s own internal library folder.) However, it may come as a bewildering surprise to iPhoto veterans.
Figure 4-5. When you drop a folder into iPhoto, the program automatically scans all the folders inside it, looking for pictures to catalog. It creates a new film roll (Chapter 5) for each folder it finds. iPhoto ignores irrelevant files and stores only the pictures that are in a format it can read.
Figure 4-6. When the Import Photos dialog box appears, navigate to and select any graphics files you want to bring into iPhoto. You can ⌘-click individual graphics to select more than one simultaneously, as shown here. You can also click one, then Shift-click another one, to highlight both files and everything in the list in between.
If your photos are on a Kodak Photo CD, you can insert the CD (with iPhoto already running), and then click the Import button on the Import pane, just as if you were importing photos from a connected camera. As always, iPhoto makes fresh copies of the files you import, storing them in one centralized photo repository (the iPhoto Library folder) on your hard drive. The program also creates thumbnail versions of each image for display in the main iPhoto window.
iPhoto can’t import digital pictures unless it understands their file format, but that rarely poses a problem. Just about every digital camera on earth saves photos as JPEG files—and iPhoto handles this format beautifully. (JPEG is the world’s most popular file format for photos, because even though it’s compressed to occupy a lot less disk space, the visual quality is still very high.)
While most digital photos you work with are probably JPEG files, they’re not always called JPEG files. You may also see JPEG referred to as JFIF (JPEG File Interchange Format). Bottom line: The terms JPEG, JFIF, JPEG JFIF, and JPEG 2000 all mean the same thing.
But there’s more to this story—in iPhoto 5, much more. The program now imports and recognizes some very useful additional formats.
Most digital cameras work like this: When you squeeze the shutter button, the camera studies the data picked up by its sensors. The circuitry then makes decisions pertaining to sharpening level, contrast and saturation settings, color “temperature,” white balance, and so on—and then saves the resulting processed image as a compressed JPEG file on your memory card.
For millions of people, the resulting picture quality is just fine, even terrific. But all that in-camera processing drives professional shutterbugs nuts. They’d much rather preserve every last iota of original picture information, no matter how huge the resulting file on the memory card—and then process the file by hand once it’s been safely transferred to the Mac, using a program like Photoshop.
That’s the idea behind the RAW file format, which is an option in many pricier digital cameras. (RAW stands for nothing in particular, and it’s usually written in all capital letters like that just to denote how imposing and important serious photographers think it is.)
A RAW image isn’t processed at all; it’s a complete record of all the data passed along by the camera’s sensors. As a result, each RAW photo takes up much more space on your memory card. For example, on a 6-megapixel camera, a JPEG photo is around 2MB, but over 8 MB when saved as a RAW file. Most cameras take longer to store RAW photos on the card, too.
But for image-manipulation nerds, the beauty of RAW files is that once you open them up on the Mac, you can perform astounding acts of editing on them. You can actually change the lighting of the scene—retroactively! And you don’t lose a single speck of image quality along the way.
Until recently, most people used a program like Photoshop or Photoshop Elements to do this kind of editing. But amazingly enough, humble, cheap little iPhoto 5 can now edit them, too. For details on editing RAW images, see Chapter 6.
Not every camera offers an option to save your files in RAW format—and among those that do, not all are iPhoto compatible. Apple maintains a partial list of compatible cameras at http://www.apple.com/ilife/iphoto/import.html.
With iPhoto 5, Apple has brought the software one delicate step into the 21st century. In addition to still photos, most consumer digital cameras these days can also capture cute little digital movies. Some are jittery, silent affairs the size of a Wheat Thin; others are full-blown, 30-frames-per-second, fill-your-screen movies (that eat up a memory card plenty fast). Either way, iPhoto can now import and organize them. (The program recognizes .mov files, .avi files, and many other movie formats. In fact, it can import any format that QuickTime itself recognizes, which is a very long list indeed.)
You don’t have to do anything special to import movies, since they get slurped in automatically. To play one of these movies once they’re in iPhoto, see Figure 4-7.
Of course, iPhoto also lets you load pictures that have been saved in a number of other file formats, too—including a few unusual ones. They include:
TIFF. Most digital cameras capture photos in a graphics-file format called JPEG. Some cameras, though, offer you the chance to leave your photos uncompressed on the camera, in what’s called TIFF format. These files are huge—in fact, you’ll be lucky if you can fit one TIFF file on the memory card that came with the camera. Fortunately, they retain 100 percent of the picture’s original quality.
Note, however, that the instant you edit a TIFF-format photo (Chapter 6), iPhoto converts it into JPEG.
That’s fine if you plan to order prints or a photo book (Chapter 10) from iPhoto, since JPEG files are required for those purposes. But if you took that once-in-a-lifetime, priceless shot as a TIFF file, don’t do any editing in iPhoto—don’t even rotate it—if you hope to maintain its perfect, pristine quality.
GIF is the most common format used for non-photographic images on Web pages. The borders, backgrounds, and logos you typically encounter on Web sites are usually GIF files—as well as 98 percent of those blinking, flashing banner ads that drive you insane.
Figure 4-7. The first frame of each video clip shows up as though it’s a photo in your library; only a little camera icon and the total running time let you know that it’s a movie and not a photo. iPhoto is no iMovie, though; it can’t even play these video clips. If you double-click one, it actually opens up in QuickTime Player, a different program on your Mac that’s dedicated to playing digital movies.See Chapter 11 for details on editing these movies, either in iMovie or in QuickTime Player Pro.
PICT was the original graphics file format of the Macintosh prior to Mac OS X. When you take a screenshot in Mac OS 9, paste a picture from the Clipboard, or copy an image from the Scrapbook, you’re using a PICT file.
Photoshop refers to Adobe Photoshop, the world’s most popular image-editing and photo-retouching program. iPhoto can even recognize and import layered Photoshop files—those in which different image adjustments or graphic elements are stored in sandwiched-together layers.
MacPaint is the ancient file format of Apple’s very first graphics program from the mid-1980s. No, you probably won’t be working with any MacPaint files in iPhoto, but isn’t it nice to know that if one of these old, black-and-white, 8 x 10 pictures, generated on a vintage Mac SE, happens to slip through a wormhole in the fabric of time and land on your desk, you’ll be ready?
PDFfiles are Portable Document Format files that open up in Preview or Acrobat Reader. They can be user manuals, brochures, or Read Me files that you downloaded or received on a CD. Apple doesn’t publicize the fact that iPhoto can import PDF files, maybe because iPhoto displays only the first page of multipage documents. (Most of the PDFs you come across probably aren’t photos; they’re usually multipage documents filled with both text and graphics.)
If you try to import a file that iPhoto doesn’t understand, you see the message shown in Figure 4-8.