What Is Sharpening?

Sharpening an image is similar to sharpening a kitchen knife. In both instances, you’re emphasizing edges. On a knife, it’s easy to identify the edge. In a digital image, it’s a little more challenging: The edges are the areas where vastly different colored pixels meet (areas of high-contrast), as shown in Figure 12-1.

Left: It’s easy to spot the edges in this image because its contrast is pretty high, especially between the antlers and the light background.Right: In this before-and-after close-up of the Chihuahua’s antlers—who does that to their pet?—see how the edges are emphasized after some overzealous sharpening (bottom)? The weird white glow around the antlers is the dreaded sharpening halo.

Figure 12-1. Left: It’s easy to spot the edges in this image because its contrast is pretty high, especially between the antlers and the light background. Right: In this before-and-after close-up of the Chihuahua’s antlers—who does that to their pet?—see how the edges are emphasized after some overzealous sharpening (bottom)? The weird white glow around the antlers is the dreaded sharpening halo.

When you sharpen an image—whether in Photoshop, Camera Raw, or a darkroom—you exaggerate the edges in the image by increasing their contrast: Where two colors meet, you make the light pixels a little lighter and the dark pixels a little darker. Though it may sound similar to increasing the overall contrast of the image, it’s not. When you run one of Photoshop’s sharpen filters, the program analyzes your image and increases the contrast only in areas it thinks are edges (and, as you’ll learn in a bit, you have some control over what it considers an edge).

Sharpening is a bit of an art: If you don’t sharpen enough (or at all), your image will look unnaturally ...

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