
Medieval typefaces, and those inspired by the forms from this time frame,
show a loss in refinement as a result of the fall of Rome and the fracturing
of European culture. All-capital faces with more pronounced curvature in
the strokes, more fluid junctures derived from pen inscription, and the
introduction of uncial-based forms—predecessors to the modern lowercase
developed in the third through sixth centuries A.D.—relate to scribal work.
Decorative details, influenced by animal interlace and manuscript illumina-
tion, may be found adorning terminals and cross-strokes—exaggerated
curves, swash forms, curlicues, and illustrative inclusions, such as ...