CHAPTER 9
The Extremes
e extremes are the lightest and the darkest groups of grays or colors in a
photograph. For years they were the parts of the picture most likely to lack
quality because of the inherent, irremediable defects in lm. Good pho-
tographers managed to get excellent pictures anyway because they paid a lot
of attention to these defects and how to minimize them.
e extremes are a potential problem in any photograph, but in a white-
on-white or a black-on-black image, pictures composed entirely of the
extremes, little defects can quickly turn into big ones.
Digital technology, lacking some of the lm defects, has eliminated some
of these problems but revealed a new one: some people like these “defects.” If
we shoot a ...