Once again, we have used an ideal example that avoids complexities for
the sake of simplicity. Deviate from this ideal as much as the composition
requires, but no more.
THE BEST OF BOTH WORLDS
Bright-eld and dark-eld methods are easy to learn, but they can be
dicult to combine. Most failures in photographing glass result from delib-
erately or naively using both simultaneously.
For example, we have known some photographers who tried to light glass
in a tent like the one described in the previous chapter. ey successfully
eliminated extraneous reections, but they equally successfully eliminated ...
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