April 2021
Intermediate to advanced
336 pages
9h 54m
English
Content preview from Light — Science & Magic, 6th Edition
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THE CASE OF THE DISAPPEARING GLASS 171
RECOGNIZING THE PRINCIPAL SUBJECT
In this chapter we have talked about using bright-eld and dark-eld
methods for lighting glass. We have also discussed some remedies to
manage complications caused by competing nonglass subjects. However, we
have not said very much about when to use which of these techniques.
e nature of the subject determines the best lighting. Deciding which
subject is more important is the rst step in lighting a scene that includes
both glass and nonglass. Should we light the glass as well as possible and
then make adjustments to accommodate the rest of the composition?
Should we rst establish the general lighting and then add any secondary
lights, reectors, or gobos needed ...
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I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.