But notice that the shadow also proves that the subject is sitting on a table.
Without the shadow, the brain would have no way of knowing whether the
subject is on the table or oating above it.
e relationship of the subject to the background tells the viewer an
essential message about the depth in the scene. Conveying that message
requires keeping the shadow. Because we must not get rid of the shadow,
then we have to put it somewhere else.
Light above the Subject
e least distracting place for the shadow in most compositions is directly
under and in front of the subject. is means placing the light above and ...
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