April 2021
Intermediate to advanced
336 pages
9h 54m
English
Content preview from Light — Science & Magic, 6th Edition
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226 THE EXTREMES
the direct reection. With so much competition from diuse reection, the
camera cannot see much direct reection, and photographers accomplish
little by trying to manipulate it.
However, we will accomplish even less by continuing to complain about
the problems. So, we will go on to a discussion of how to deal with them.
Good lighting control produces tonal distinctions in white-on-white
subjects. Good exposure control preserves those distinctions. Neither
control alone is adequate to do the job. erefore, we will discuss both in
some detail.
Exposing White-on-White Scenes
e extremely high and extremely low ranges of the characteristic curve are
those areas where we are most likely to lose detail. Reducing the exposure o ...
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I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.