July 2009
Beginner
208 pages
5h 24m
English
THE SHAPES OF LETTERS come from a variety of sources (Greek, Roman, Phoenician, Hebrew) and therefore are not inherently designed to fit together. In our digital world, type designers embed kerning pairs in their typefaces, which usually work well at the text type level (subject to adjustments to the hyphenation and justification settings, which can be customized by the designer). When type is used at a size larger than text size (above 14 point), small disparities and deviations in the spaces between the letters become more evident, and it is the designer’s duty to rectify these by adjusting the kerning manually. Certain combinations of letters require more adjustment than others. In every case, the object is ...
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