October 2004
Intermediate to advanced
240 pages
5h 28m
English
Content preview from Audio for Games: Planning, Process, and ProductionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Challenging Assumptions
The first problem that tends to plague audio is the same problem that plagues every other part of the game: erroneous assumptions. In fact, inaccurate assumptions plague everything from what constitutes good food to what makes a good car. Assumptions are very sneaky and can easily catch a composer or even a sound designer when he or she least expects it.
We will look at some examples of inaccurate assumptions from the perspective of the audio content creator and the producer or project lead.
Producer or Project Lead Assumptions
Assumption No. 1: “A band will provide good marketing exposure for the game. The music will work great too.”
This is a hot topic. Bands, both unsigned and chart-topping, are creeping into game soundtracks. ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.