October 2004
Intermediate to advanced
240 pages
5h 28m
English
Content preview from Audio for Games: Planning, Process, and ProductionBecome an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
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Working with Programmers
Programmers are your friends. They are in fact the ones who will determine whether you are happy or sad about how your sounds play back in the game, so treat them with respect. Having said that, programmers are not necessarily audio savvy. It's up to you to show them the cost-benefit analyses and the virtues of well-done audio along the way so they understand your viewpoints.
Communication
To begin with, know how to communicate. Do not be afraid to use extremely simple language and syntax. For example, if you tell a programmer, “I want this 3D sound to have a controllable falloff curve,” that won't explain that “the player needs to hear an impact sound even if it is far away, to demonstrate that the sound is realistic—so ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.