Since the 1990s, computers have become part of the storyartists’ tools. In the past, traditional storyboards were sent out to be photographed by a cameraperson using a down-shooter or rostrum camera (United Kingdom), and then the film was developed, cut together, and matched to a soundtrack by an editor (Fig. 4). This was a process that took several days at its fastest. Now, the storyartists alone have the power to create storyreels on their laptop computers, with multiple soundtracks and effects, all with an instantaneous playback.
FIG 4A storyboard page drawn by Karl Toerge with director’s notes added. From Click & Clack’s ...
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