Timing for Animation, 40th Anniversary Edition, 3rd Edition
by Harold Whitaker, Tom Sito, John Halas
Timing a Slow Action
Occasionally it is necessary to animate movements which strain the medium to its limit, such as for slow movement. In a lyrical mood, slow motion, or a comedy situation, this may be unavoidable. The closer drawings are to each other, the slower the movement appears. On the other hand, the wider the spacing between drawings, the quicker it looks on the screen. But there is a limit in both directions.
Closely spaced drawings tend to jitter if not drawn with great accuracy and if the distances are not worked out precisely. In cartoons, as a rule, very slow motion should be avoided. It is better left to live action. If it must be done, make sure that the movement contains sufficient rhythm, bounce, and flexibility. The drawings ...
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