Timing for Animation, 40th Anniversary Edition, 3rd Edition
by Harold Whitaker, Tom Sito, John Halas
Traditional Camera Movements
Before the Digital Age all animation was shot on a down-shooter camera, called at times a “Rostrum camera” or an “Oxberry camera,” named after the American engineer John Oxberry (1918–1974) who designed an industry-standard camera stand. These cameras set-ups could be as simple as a home camera with a single-frame shutter, clamped on a shelf or table, up to the huge, motorized two-column professional camera stands. But, in most cases, the set-up was similar: a single-frame camera was mounted on a column and the animation artwork was placed on pegs on a compound table and held down by a heavy glass plate called a “platen.” The table had long top and bottom peg bars to move (pan) artwork, could rotate 360 degrees (a ...
Become an O’Reilly member and get unlimited access to this title plus top books and audiobooks from O’Reilly and nearly 200 top publishers, thousands of courses curated by job role, 150+ live events each month,
and much more.
Read now
Unlock full access