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index
314
presentation options,
216–219
presentation spectrum,
190–191
relation to grid, 260–261
rule for, 308
semiotics, 192–193
signification modes,
198–199
silhouettes, 242
spatial considerations,
240–241
spatial relationships, 195
style mixing, 218–219
stylization, 202–203
subject, 221
subject alteration,
222–223
type and, 226–227, 231,
234–235
type as, 21, 214–215
indentation, 158
India
Ishan Khosla Design,
189
Umbrella Design, 35,
107, 112
inset images, 244–245
Interaction of Color
(Josef Albers), 87
Iowa State University,
33, 34, 123
Ireland
AAD, 139
Conor & David, 20, 69,
99, 298
Detail Design Studio,
100, 126
Ishan Khosla Design, 189
Italy
Leonardo Sonnoli, 43,
58, 121, 128, 183, 214,
267, 271
Viktor Matic, 269, 299
........................................................
J
Jancso, Aron, 24
Japan
Helmut Schmid Design,
142, 171
Kenichi Tenaka, 70
NAM, 114
Shinnoske, Inc., 97
Ten-Do-Ten, 189
Jensen, John, 34
Jiwa, Natasha, 273
JRoss Design, 28, 45, 109,
114, 178
Jury, David, 11
........................................................
K
Kang, Hyosook, 267
Kang, Yoojung, 100, 113,
214
Keo, Cally, 268
Kim, Jeongwoo, 123
Kim, June, 73, 234
Kim, Lloyd, 211
Kim, Minah, 126
Kim, Sohyun, 123
King, Josh, 205
Ko, Daeun, 268
Koot, Dennis, 302
Kropp and Associates, 103
Kunz, Willi, 9
L
L2M3, 68, 83, 129, 284
La Boca, 202, 305
Laboratório Secreto, 7,
83, 216
Laguna College of Art and
Design, 53, 235
leading, 147
lead lines, 161
Lebanon
Raidy Printing Group, 88,
95, 145, 199, 214
Lee, Euikyung, 215
Lee, Hae Jin, 270, 287
Lee, Heeseung, 43
Lee, Seoungjun, 166
Lesley Moore, 21
Lexicon Graphics, 116
Liao, Tien-Min, 19, 201, 214
ligatures, 160
lines, 44–47
Lisanto, Marcia, 235
Li, Vicki, 33
Liv, Michelle, 59, 119, 230
Loewy, 15, 55, 59, 183, 225,
235, 257
Louise Fili Ltd., 111, 139,
215
Lozach, Max, 300
LSD, 6, 14, 32, 53, 55, 93,
105, 164, 182, 194, 199,
227, 234, 246, 270
........................................................
M
Made In Space, Inc., 49,
56, 88, 142
mass, 48–49
Matic, Viktor, 269, 299
McConnell, Robert, 81, 184
Media Invia, 72
Mellegers, Adriaan, 171,
257, 263
metaphor, 228–231
Metropolitan Group, 210
Mexico
Anagrama, 276
Zoveck Estudio, 192
Meyer, Anna, 79
Miloliza, Kresimir, 307
Mixer, 215, 219, 308
modular grid, 250–251
Monigle Associates, 71
Moore, Lesley, 35, 82,
199, 231
Morales, Diego, 72
movement, 68
Munda Graphics, 39, 188
Munsell, Albert, 98
Mutabor Design, 22, 57, 70
MV Design, 215
........................................................
N
NAM, 114
Naroska Design, 6, 45,
67, 251
National Grid, The, 300
near and far, 66–67
negative space, rule for,
15, 301
Nelson, Paul, 205
Netherlands
Adriaan Mellegers, 171,
257, 263
COMA, 229, 253, 287,
308
Das Buro Brand
Identity, 27
Dennis Koot, 302
Joris Van Aken, 306
Lesley Moore, 21, 35, 82,
199, 231
Marielle Van Genderen,
171, 257, 263
Martin Oostra, 147
Ohyescoolgreat, 269, 271
Raf Vancampenhoudt,
306
Staynice, 17, 90
Studio Jona, 222
UNA [Amsterdam]
Designers, 39, 117, 161
Vruchtvlees, 77, 306
New Zealand
Jonty Valentine, 300
Luke Wood, 300
Max Lozach, 300
National Grid, The, 300
Niklaus Troxler Design,
39, 265
Nine Design, 121
Norway
Cobra, 9, 31, 107, 163, 172,
226, 264
Not From Here, Inc., 97
numerals, 160
........................................................
O
Ohayon, Debra, 214, 281
Ohyescoolgreat, 269, 271
Okon, Marek, 23, 166
Oliver Munday Group,
193, 199
Onlab, 8, 245, 304
Oostra, Martin, 147
organic form, 52–53
organization. See also
grids.
conceptual allusion,
270–271
consistency enforce-
ment, 278–281
content order, 274–275
flexibility creation,
278–281
INDEX CONTINUED
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