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Sweden
Bachgarde Design, 170,
249
Nine Design, 121
Swim Design, 103
Switzerland
Anna Haas, 27
Billy Benn, 27
Ludovic Balland, 265
Mixer, 215, 219, 308
Niklaus Troxler Design,
39, 265
Superbüro, 207
symmetry
contrast, 77
introduction, 60–61
rule for, 16, 302
........................................................
T
Templin Brink Design, 101,
203, 280
Tenaka, Kenichi, 70
Ten-Do-Ten, 189
tension, 76
Tétier, Florence, 187
There, 56
Think Studio, 61, 113
344 Design, 51
Tissot, Thibaud, 188, 304
Tosetti, Régis, 221, 302
trends, rule for, 23, 309
Triboro Design, 57, 82, 165,
172, 180
Troxler, Niklaus, 39, 265
TSTO, 305
Turkey
2Fresh, 216, 228
two-dimensional layouts,
rule for, 17, 303
2Fresh, 216, 228
2X Goldstein, 133, 310
type
alignment, 148–149,
168–169
blending rule, 306
brackets, 158, 159
breaks, 159
bullets, 159
channels, 159
character count, 146
color and, 164–165,
175–177, 182–185
dashes, 161
detail, 178–181
distinction, 174
drop caps, 161
family blending, 20
formal congruence,
236–237
formal opposition,
238–239
form and counterform,
132–133
friendliness of, 20, 306
full-bleed images and,
243
gaps, 159
grid definition and,
256–257
hierarchy, 170–173
hierarchy and color,
183–185
as image, 21, 214–215
images and, 231,
226–227, 234–245
indentation, 158
as information, 170–181
inset image integration,
244–245
introduction, 130
italic type, 158, 159
justification, 152–153, 159
leading, 147
lead lines, 161
ligatures, 160
mass, 168–169
mechanics, 146–161
navigation, 178–181
numerals, 160
orphans, 160
paragraph optimization,
154–155
paragraph separation,
156–157
paragraph width, 147
parentheses, 158, 159
prime marks, 160
punctuation, 159, 160,
161
rag depth, 150–151
rules, 20
scales of contrast,
175–177
silhouettes, 242
sizes, 134–135
small caps, 160
spacing, 134–135,
240–241
structure, 132–133,
178–181
style classifications,
138–139
style combinations,
143–145
style issues, 138–145
subheads, 161
subscript, 160
superscript, 160
texture and space,
162–169
texture of, 166–167
typeface selection,
140–142
typographic color,
164–165, 175–177,
182–185
unity, 174
usage rule, 21, 307
visual nature, 162–163
visual variations,
136–137
voids, 168–169
widows, 158
x-height, 134, 135, 138,
140, 146, 155, 160
........................................................
U
Umbrella Design, 35, 107,
112
UNA [Amsterdam]
Designers, 39, 117, 161
United Kingdom
A-Side Studio, 300
Barnbrook, 83, 163
Ben West, 205
Big Active, 187, 217
Billie Jean, 209
CHK Design, 72, 136,
148–149
Coralie Bickford-Smith,
23, 54, 193, 282
Felix Heyes, 205
Form, 48, 57
Hyatt Associates, 233
Josh King, 205
La Boca, 202, 305
Loewy, 15, 55, 59, 183,
225, 235, 257
Paul Nelson, 205
P&W Design Consul-
tants, 272
Régis Tosetti, 221, 302
Research Studios, 33,
94, 103, 164, 169, 180,
197, 210, 221, 264
Sabotage PKG, 270
Sawdust, 297, 303
SEA Design, 108, 279
Spin, 258
Struktur Design, 179
United States
AdamsMorioka, 13, 59,
65, 106, 145, 149, 229
Ames Bros., 91, 207, 208
And Partners, 135, 195
Art Institute, The, 89,
268
Ben Grandgenett, 308
Brett Yasko, 31, 117,
153, 227
Cally Keo, 268
Cardon Webb, 82, 189
Carnegie Mellon
University, 99, 166
Carolyn Calles, 88–89
Catherine Casalino, 82,
193, 215
C+G Partners, 21, 42, 57,
149, 156, 215
C. Harvey Graphic
Design, 47, 71, 145
Cheng Design, 74, 151
Christine Chuo, 166
Christopher Short, 201
Cyr Studio, 201, 208
Daeun Ko, 268
Deborah Gruber, 215
Debra Ohayon, 214, 281
Declan Zimmerman,
243, 244
Design Ranch, 280
Diana Hurd, 99
Drotz Design, 105, 206
EarSay, 154, 167
Euikyung Lee, 215
INDEX CONTINUED
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