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Different Strokes
Artistic Effects
This chapter is actually much cooler
than its subtitle implies; it’s just that
I couldn’t come up with a cooler
sounding name than “Artistic Effects,” so don’t
hold that against the effects themselves—it’s
not their fault. I was afraid the name might
scare some people away, because they might
think, “Oh, that’s painting and working with
brushes, and I can’t paint, so I’ll just skip over
this chapter and head on over to ‘Advertising
Effects.’” I don’t think the Gary Coleman
reference in the chapter head helped sell this
chapter much either, but there’s a trick in here
for taking a photogr ...