
268 Chapter 8
in all settings for use with external monitors and
recorders. Additional encodings such as CINE-
LIKE V and CINELIKE D are available, as well
as an in-camera LUT to make monitoring easier.
Features include overcranking and undercrank-
ing, variable frame rate settings which provide
speeds up to 2.5× slower in 4K (60 fps) and 7.5×
slower in Full HD (240 fps), and a 4K anamor-
phic mode records in 4:3 ratio for unsqueeze in
post production.
For greater recording versatility, the record-
ing system frequency can be changed between
59.94 Hz (NTSC), 50.00 Hz (PAL), or 24.00 Hz
(Cine) for worldwide use, and there is no record ...