Digital Cinematography, 2nd Edition

Workfow, Data, and Color Management 489

to color correct each setup with input from the

director of photography.

As LUTs and/or CDLs are applied to the

footage, a DaVinci Resolve project le should be

generated and included with the LUTs, CDLs,

footage, audio les, and other materials sent to

the lab at footage break-off points during the

day, and at wrap.

Managing the Look of Images from Set

through Post and Final Color Correction

Figure 13.10 Color through the entire workflow.

The need for look management arises out of the

use of non-Rec 709 wide color gamut cameras

and log image encoding for acquisition of ...