June 2009
Intermediate to advanced
352 pages
10h 57m
English
Content preview from Real World Print Production with Adobe Creative Suite Applications
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What to Do About All Those Extra Swatches
Does this sound familiar? You’re working on a job that should consist of CMYK plus one spot color, Pantone 130. After importing duotone images created by your team’s retouchers and placing the vector art provided by another designer, you realize that there are three spot colors in the Swatches panel—Pantone 130 C, PMS 130 CVC, and something named Harvest Gold. Although we easily recognize that PMS 130 CVC and Pantone 130 C refer to the same color (and we suspect that Harvest Gold does too), a RIP sees the different names as indicating different inks and faithfully outputs them separately. Consequently, you need to take measures to ensure that only spot-color plate—Pantone 130—is output. And you’ll have ...
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O’Reilly covers everything we've got, with content to help us build a world-class technology community, upgrade the capabilities and competencies of our teams, and improve overall team performance as well as their engagement.Julian F.
I wanted to learn C and C++, but it didn't click for me until I picked up an O'Reilly book. When I went on the O’Reilly platform, I was astonished to find all the books there, plus live events and sandboxes so you could play around with the technology.Addison B.
I’ve been on the O’Reilly platform for more than eight years. I use a couple of learning platforms, but I'm on O'Reilly more than anybody else. When you're there, you start learning. I'm never disappointed.Amir M.
I'm always learning. So when I got on to O'Reilly, I was like a kid in a candy store. There are playlists. There are answers. There's on-demand training. It's worth its weight in gold, in terms of what it allows me to do.