September 2010
Beginner
376 pages
12h 7m
English
In the 1950s, the technological world was exploding and the arts were determined to keep up.

Composers started to use electronic mediums to record acoustic instruments and then manipulate the sounds in ways previously impossible. This type of composition was aptly titled electronic music (see page 344).
When electronic generators produced the original sound bytes (and no “live” musicians were utilized), the music was called music concrète.
In the decades ...
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