
The trick is to simplify the effect. Take a look at the Appearance
panel and notice that Warp appears at the top of the stack and
3D Extrude & Bevel appears at the bottom. In other words—
even though you applied the 3D effect fi rst and the Warp effect
second—Illustrator has elected to bend the type before extrud-
ing it. Better to reverse the order, so Illustrator does the tough
stuff fi rst and the easy stuff second. By which I mean, drag the
Warp: Arch item down to very bottom of the stack, so Illustra-
tor applies it before 3D Extrude & Bevel.
All the old problems go away. But new problems may arise, as
documented at the bottom of Figure 10-70. In my case, the new
problems are fewer, just two instead of fi ve. And all but one go
away in the next step.
9.
Edit the text. Let’s say I’m advertising a DVD-ROM version of
one of the videos that I recorded for my online video publisher,
lynda.com. The thing is, unlike this book, my videos are not
available in stores. So the 3D text, however stunning, is a lie.
Fortunately, the text is editable so I can change it at a moment’s
notice. Unfortunately, because the text has a 3D effect assigned
to it, Illustrator will try to update the rendering each and every
time I enter a new letter. In other words, were I to start editing
the text as is, I’d be in for a world of hurt.
The natural trick might be to switch to the outline mode (Ctrl+Y or -Y) ...