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PRINTING AND EXPORTING
Figure 12-1.
NO APPLICATION is an island, and Illustrator users
probably understand this better than most. Graphic artists who
painstakingly craft artwork inside Illustrator usually have
a destination beyond their computers in mind from the
outset.
This lesson will help you safely get your artwork where
it needs to go—to set it free if you will—like our long-
suffering friend in Figure 12-1. Whether you are sending
your illustration off to a commercial printer, printing it on your
local device, posting it to the Web, or using it in projects involving
other applications, Illustrator has the tools and commands you’ll
need to make sure it arrives at its destination the way you intended
it to be seen.
Illustrator has always offered a highly sophisticated set of printing
options. Starting with the familiar File→Print command, you enter
a world where you can set up virtual bleeds, define crop boundar-
ies, output an array of printer marks, print color separations for
commercial reproduction, overprint black, define the flatness of
curved paths, tweak color management settings, and adjust how
your transparency effects get flattened, all from inside a single Print
dialog box.
In addition to Illustrator’s printing capabilities, we’ll be exploring
other means of output, like saving your vector artwork for the Web,
exporting it as layered Photoshop images, and creati ...